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Omar Al-Qattan
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PERSONAL
INFORMATION
Born in Beirut on May 4, 1964
QUALIFICATIONS
Starting in 1991, produced a full-length feature film in a war situation, leading
a crew of thirty people in three languages; directed or produced different types
of films, from fiction to non-fiction shorts, medium-format and full-length
features with contrasting styles (vérité, docu-fiction, fiction and historical
documentary), almost all of which have involved a complex international co-production
deal. Has solid training in filmmaking and a rich knowledge of the art form.
Fluent written and spoken English, French and Arabic. Strong understanding of
both production and artistic issues, which often makes it easier to follow one's
artistic instincts and keep within budget!
In 1996, founded Sindibad Multimedia, which produced pioneering educational CD-ROMs in Arabic.
Since 1998, while continuing to work in film, joined family to found the A.M.Qattan Foundation, which has become Palestine's leading independent cultural and educational organisation. As well as sitting on the Foundation's Board, launched and directed from 1999 to 2004 its Culture and Science Programme. In 2004, designed and launched its Palestinian Audio-visual Programme, a 640,000 euro, three-year investment programme in film and television co-funded with the European Union.
In 2005, joined family construction business in a non-executive capacity. The company, <a href="http://www.alhanikw.com" class="linkBLge" target="_blank"><font size="-2">Al-Hani Construction and Trading Co.</font></a> is over 42 years old and a leader in large-scale public works projects.
EDUCATION
1982-85
B.A. English Language and Literature, Oxford University (2.1)
1985-89 Higher Diploma (equivalent to B.A.) in film directing, INSAS, Brussels
FILMS
1987
Je suis tu es?, (15 mins, documentary, 16mm)
1988
La Danse (20 mins, drama, 16mm)
Founded Sourat Films sprl (Brussels) with Michel Khleifi and Jacqueline
Louis,
1989
Conte de l'Aveugle et du Paralytique, (15mins, drama, 16mm). This tale,
which won a screen-writing competition and was commissioned by the Atelier de
Réalisation in Brussels, combines the Biblical parable of the Blind Man
and the Paralytic with a bawdy joke. Set in the surreal landscape of deserted
factories in a Brussels suburb, it tells of the meeting of two fantastical characters
who are inhabited both by the loneliness of Modern Man as well as the Spirit
of Falstaff. During one evening, they experience events that temporarily lift
them out of the cruel and strange world around them.
1990
Assistant Producer on Cantique des Pierres (Official Selection, Un Certain
Regard, Cannes 1990) dir. Michel Khleifi.
1990-91
Director/Producer on Dreams & Silence (52mins, documentary, 16mm).
Shot during the weeks preceding the Gulf War, the film is a portrait of a Palestinian
woman refugee in Jordan and her struggles with the religious and social constraints
around her at a time of great tension and anguish. JORIS IVENS AWARD,
1991. Broadcast on FR 3 (France), RTBF (Belgium), NRK (Norway), IKON TV (Holland),
Finland and Australia.
1991
Founded Sourat UK, (which became Sindibad Films Ltd in 1993)
1992
Co-producer L'Ordre du Jour, a full-length feature in French with Robin
Renucci and Michael Lonsdale, dir. Michel Khleifi.
1993
JVC World Music Library - Palestine. Produced and directed video archives of
Palestinian music
1994-1995
Executive Producer on Tale of the Three Jewels, dir. Michel Khleifi.
The film, which premiered in Cannes 1995, was the first ever feature to be entirely
shot in the (then) Occupied Gaza Strip. Originally commissioned as a 50-minute
drama for BBC 2, we decided to make a full-length version with the same budget,
eventually attracting co-funding from the Ministry of Culture in Belgium and
La Sept/Arte. Apart from a successful international theatrical career, the film
has won several international prizes.
1995
Executive Producer, Forbidden Marriages in the Holy Land, a 66 minute
documentary directed by Michel Khleifi on the subject of mixed marriages between
Arabs and Jews in Palestine/Israel - in association with the Med-Media Program
of the EU.
Director, Going Home (52mins, documentary, Betacam). This is the story
of Major Derek Cooper, an British ex-army major who witnessed the last days
of the Mandate in Palestine. The film takes him back to Palestine/Israel where
he meets veterans and refugees, as the Peace Process looks set to collapse.
Broadcast on Channel 4 as well as Planète TV, France/Germany/Italy. Produced
by André Singer, Café Productions
1998
Jerusalem (25 mins, promotional documentary, Betacam). A look at the
Welfare Association's (a Swiss-based charity) work to help the Palestinians
in Jerusalem. The film was used to fundraise during a three-day telethon. The
event's takings reached an unprecedented $23m.
1999
Homesick, a feature-length screenplay based on the novel by Tony Hanania
(Bloomsbury, 1997). Co-written with the novelist.
2000
Co-produced Rachel Leah Jones' 500 Dunam on the Moon, a fifty-two minute
documentary on the story of the Palestinian village of Ein Houd - broadcast
on France 2, Spring 2003.
Amal, My Star -(producer), a full-length screenplay by Michel Khleifi
on the life of the Egyptian/Syrian singer, spy and seductress, Asmahan.
2000-2002
Muhammad,
Legacy of a Prophet (completed)
- director. A two-hour documentary for American Television (PBS), produced by
award-winning Kikim Media. This ambitious bio-epic was filmed in Saudi Arabia,
Jordan, Jerusalem, London and the US. It involved both vérité-style
filming, as well as extensive lyrical reconstruction (not of historical events,
so much as the use of contemporary rituals and realities to evoke events in
the Prophet's life), with substantial interviews and portraits of Muslim Americans.
My work spanned the first treatments, shooting scripts, location scouting, production
planning, and the Super 16mm shoots (from the ground and the air!). Broadcast
to great acclaim on PBS December 18 2002.
2002
Midwest/ Midwest Field executive producer. Two video art films
on 16mm by Rosie Nashashibi, filmed in Omaha, Nebraska. In collaboration with
the Scottish Arts Council. The films were among Nashashibi's four works which
won the 2003
Beck's Futures Award .
Diary of an Arts Competition (Under Occupation): Completed. A seventeen minute video diary of an arts exhibition organised under curfew. (See related article: here )
2003
- 2004
Welfare Association 20th Anniversary Fund-raising Campaign: 1 x 2'30"
fund-raising promo (completed) and 1 x 25 minute film (completed)
Route 181- Fragments of a Journey to Palestine and Israel (completed September 2003), co-producer. This is a three-part, four and half hour documentary for Arte (Germany), co-directed by Michel Khleifi and an Israeli director, Eyal Sivan, broadcast on Arte in November 2003. The film has since had wide-spread distribution, including a screening at the UN on the 58th Anniversary of the 1947 UN Partition Plan for Palestine. It has also recently won the prestigious Mayor's Prize at the Yamagata International Documentary Festival in Japan.
MULTIMEDIA
1996
Founded Sindibad Multimedia Ltd, a CD-ROM publishing company
1997
Kan Ya Ma Kan, four interactive stories for children (in Arabic)
Letters Garden, an interactive CD-ROM to teach children the Arabic Alphabet
1998
Numbers Garden, an interactive CD-ROM to teach children their first maths
in Arabic
Sudan - Kingdoms on the Nile, in association with L'Institut du Monde
Arabe, Paris and Editions Flammarion - a reference CD-ROM to accompany the archaeological
exhibition of the same name.
An A-Z of the Middle East, in association with Les Éditions de
l'Atelier, Paris - the indispensable guide to today's Middle East.
CULTURAL
ACTION
A.M.Qattan
Foundation: Originally an initiative by my parents, the Foundation
has grown to become Palestine's leading independent educational and cultural
institution and is almost entirely self-funded. Projects include an 80,000-volume
children's library in Gaza City; an extensive prizes and awards programme in
the arts and sciences and an increasingly influential Centre for Educational
Research and Development. In 2004, I designed and launched (and currently direct)
the Palestinian
Audio-visual Project (PAV), which is co-funded with the European Union and
which includes an extensive training, distribution and a school film education
programme over a three-year period.
PUBLICATIONS
Apart from my film-writing, also contributed articles in English to
The New Statesman, Sight & Sound, Middle East International,
CounterPunch, Opendemocracy.net & the Jordan Times,
and, in Arabic, to Al-Hayat and Al-Quds Newspapers in London and
Al-Ayyam in Palestine. As part of the A.M. Qattan Foundation's work,
co-edited the following bi-lingual publications: Flowers of Palestine
(with a preface by Mahmoud Darwish), a reprint of a 19th century book on the
wild flowers of the Holy Land; New Horizons in Palestinian Art and Hope
& the Aesthetic Moment (with Kamal Boullata), both catalogues of work
by young Palestinian artists; as well as (in Arabic only) Nawafith fi Jidari
Samt (Windows in a Wall of Silence), an anthology of writing, photographs
and art work by a number of Palestinian women on their experiences of the second
Intifada.
An essay entitled The Challenges of Palestinian Filmmaking - 1991 to 2003
was included in Dreams of A Nation, (ed. Hamid Dabashi) a collection
of essays on Palestinian cinema published by Verso Press in 2006.
The
Secret Visitations of Memory, an essay on the Palestinian experience of
dispossession, will be included in an anthology edited by Ahmad Saadi and Lila
Abu Loghod entitled Nakba - Palestine, 1948 and the Claims of Memory,
published by Columbia University Press in April 2007.
TEACHING
2004: The Sacred and the Profane in Cinema, a one-week seminar organised
in Beirut by the British Council.
2005-2006: Directed and taught directing and film history and analysis classes
in the Palestinian Audio-visual Project (PAV)
Training Programme
REFERENCES
Upon request